Roy Lichtenstein
Roy Lichtenstein (1923–1997) was an American painter born and died in Manhattan, New York. A pioneering figure in the Pop art movement, Lichtenstein's work countered Abstract Expressionism using imagery and techniques from the popular culture. He briefly studied under painter Reginald Marsh, served in World War II, and later earned a master’s degree, teaching at Ohio State University and other institutions.
Initially exploring various styles, including Abstract Expressionism, his interest in comic strips led to iconic works featuring characters like Mickey Mouse, which he presented in a fine art format.
Discovered by the Leo Castelli gallery in 1961, he gained fame with large canvases inspired by comics and advertising. His distinctive style involved thick black outlines, primary colors, and Benday dots to mimic mass production. Lichtenstein’s first solo exhibition in 1962 was a success, and he became the first American to exhibit at London's Tate Gallery in 1966. Like Andy Warhol, Lichtenstein is especially famous for his rare limited printed editions.
Celebrated by a retrospective at the Centre Pompidou in 2013, his work, known for its artificiality, remains highly current.
Sunrise, 1965
1972
Silkscreen on Wove Paper
95 x 70 cm / 37 x 28 in
✔ Limited edition
✔ Published and printed by New York Graphic Society
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Modern Painting of Sun Rays by Roy Lichtenstein is a 1972 offset-lithograph reproducing his 1967 painting. Known for his pop art style, it features bold colors and clean lines inspired by comic strips. Printed by the New York Graphic Society, this limited edition reflects Lichtenstein's exploration of abstraction beyond his comic imagery.
1968
Offset lithograph
63 x 74 cm / 24,4 x 29,5 in
✔ Limited edition
✔ The Tate Gallery, London, printed by Lautrec Ltd., Leeds
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WHAAM! by Roy Lichtenstein captures the explosive sound of a plane hit by an enemy rocket, presenting a sanitized, almost playful vision of war, reminiscent of children's comics. Accused of plagiarism, Lichtenstein's genius lies in transforming comic imagery into powerful political commentary. His faithful reproductions amplify their critique, creating striking irony and discomfort.
1979
Offset color poster
94 x 66 cm / 37 x 26 in
✔ Limited edition
A beautiful and extremely rare piece, this poster is for Roy Lichtenstein's exhibition at the Leo Castelli Gallery on West Broadway in New York in 1979 and features Lichtenstein's artwork "Stepping Out". Castelli is well known for giving the likes of Lichtenstein, Jasper Johns and Frank Stella their first one-man shows.
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1973
Serigraph print on wove paper
63 x 74 cm | 25 x 29 in
✔ Limited edition
✔ Mint condition
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Roy Lichtenstein's Sailboats (1973) offset-lithograph depicts a deconstructed nautical scene of boats by the harbor, based on his 1973 painting. Published by the Leo Castelli Gallery and printed by Edition Nouvelles in France, this limited-edition print on heavy smooth paper highlights Lichtenstein's distinctive pop art style.
1988
Offset lithograph on wove paper
67 x 92 cm / 26,3 x 36,2 in
✔ Limited edition
✔ Exhibition poster titled Artistís Studio, Look Mickey 1973
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Roy Lichtenstein's Artist's Studio, Look Mickey (1973) pays homage to Henri Matisse, drawing inspiration from his 1911 The Red Studio. Lichtenstein recreates the artist’s studio with iconic motifs: a green plant, fruit, a carafe, and his own works, including Look Mickey. By referencing Matisse, he humorously positions himself as an equal to the master, blending tradition with pop art.
1969
Screen print on paper table
25,4 cm / 10 in
✔ Limited edition
✔ Stamped on back
One of the most revered and successful multiples in art history, Roy Lichtenstein's "Paper Plate" is exactly what it sounds like - a literal paper plate. Originally sold in packs of 10 and packaged in cellophane, these items were intended for everyday use.
But why did Lichtenstein create it?
The paper plate was commissioned by Bert Stern, a prominent fashion and advertising photographer, for his trendy New York boutique, "On First Store". Situated in Manhattan, Stern's vision was to collaborate with renowned fashion designers and artists to produce stylish yet affordable items for both home and wardrobe. Unfortunately, the boutique's lifespan was short-lived, leaving many of these plates undistributed.
So, is this just tableware?
Indeed, it's now considered perhaps the most extravagantly priced disposable tableware one could possess. Moreover, it stands as a striking example of ephemeral multiples.
But why did Lichtenstein agree to such a project?
In 1969, Lichtenstein occupied a revered status in the art world. There's a certain irony in him affixing his signature to an everyday, mass-produced item. Through his distinctive use of swirling primary colors and Ben-Day dots, he transformed this mundane household object into a piece of art. Many interpreted the work of Pop artists, particularly Lichtenstein, as a critique of consumer culture, where everyday items are elevated to the status of high art, thereby emphasizing art's inherently commodified nature.
Who owns one?
These paper plates have found their way into numerous major art collections worldwide, including the Tate Modern in London and the MoMA in New York City. Due to their rarity, surviving plates from 1969 are highly sought after by collectors.
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1963
Offset lithograph
72 x 54cm / 28 x 21 in
✔ Limited edition
✔ Exhibition poster for the Leo Castelli Gallery, NYC
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CRAK! by Roy Lichtenstein, inspired by Star Spangled War Stories #102, is a seminal Pop Art piece. It depicts a woman in a red beret firing a rifle, overlaid with the dramatic “CRAK!” text and her declaration, “Now, mes petits, pour la France!” Cropped for intensity, it highlights Lichtenstein’s signature monocular vision motif and comic-inspired aesthetic.
2000
Silkscreen
68.6 x 99.1 cm/ 27 x 39 in
✔ Limited edition
✔ Published by Kunstverlag Schumacher-Edition Fils Düsserdolf 2000
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Roy Lichtenstein’s Big Painting No. 6 was reproduced as a limited-edition print, celebrating his iconic Brushstrokes series. This print maintained Lichtenstein's vibrant critique of Abstract Expressionism, emphasizing mechanical precision and painterly gestures. Released posthumously, it serves as a tribute to Lichtenstein's enduring influence in Pop Art and modern commentary on artistic techniques.
1988
Offset lithographs
63 x 52.5 cm | 24,5 x 20,5 in
✔ Limited edition
✔ Mint condition, unframed
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“As I Opened a Fire” features the same dramatic, comic-inspired style. As with other works in this period, it employs thick black lines, bold colors, and Ben-Day dots, emphasizing the narrative structure often found in comic book imagery. These elements allowed him to take popular imagery and elevate it into a more conceptual, fine art form.
This print, alongside others from this time, played a crucial role in solidifying Lichtenstein’s status as one of the key figures in the Pop Art movement. It reflects his ongoing exploration of mass media and the intersections between high art and commercial culture.
1980
Offset lithograph printed in colours on wove paper
78 x 66 cm | 30,7 x 25,9 in
✔ Limited edition
✔ Published by the Tate Gallery, London
Literature: The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948-1997, Corlett, app. 9, pg. 326
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Cow Going Abstract (1980) by Roy Lichtenstein blends abstraction with pop art. Lichtenstein transforms a simple cow into a stylized, geometric form using bold outlines, flat colors, and Ben-Day dots. The work showcases his ability to elevate everyday imagery through abstraction while maintaining his signature comic book-inspired style, blurring the lines between representation and abstraction.
1963
Paper - posterstock
68.6 x 48.3 cm / 27 x 19 in
✔ Limited edition
✔ From past Tate UK Roy Lichtenstein Exhibition
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1993
Screen print
84.5 × 66.5 cm | 33.27 × 26.18 in
✔ Limited edition
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This poster was created for Roy Lichtenstein’s 1993 exhibition at the legendary Solomon R. Guggenheim Museum in New York, showcasing his 1961 work The Kiss.
Lichtenstein, one of the major figures of American pop art, rose to prominence in the 1960s alongside artists like Andy Warhol, Jasper Johns, and James Rosenquist. Drawing inspiration from comic strips, he developed sharp, highly stylized compositions that both documented and playfully parodied popular culture.
The poster itself is in excellent, mint condition.