A whole set of 11 Forbidden Brain by Emilio Garcia.
Colors: CARMINE, EMERALD, ORANGE, PINK, PURPLE,ROYAL BLUE, SMURF BLUE, SUNSET RED, TURQUOISE, YELLOW GREEN, YELLOW.
A mix of apple and brains that made of fine resins, acrylic and bronze by Emilio Garcia himself.
2018
Resin, acrylic, bronze
5 x 12 x 10cm / 1.96 x 3.93 x 5.90 in
✔ Limited edition, edition of 3 only
✔ Each piece is signed and numbered, COA and wood box included.
✔ Mint condition
FREE SHIPPING WORLDWIDE
About Emilio Garcia. He was born in Barcelona, Spain,1981. Since 1999 he specialized in motion graphics and multimedia contents with well-known companies like Berlitz Kids, Hitachi, Diesel, Inditex, Metro, Vans or The North Face. As Emilio concerned with the digitalization of our society, saw his culture moving slowly away from the tangible, he left his and embraced the tactile. Drawn to the fascination of plastic, he started a new stage with the Secret Lapo Laboratories, a space for plastic experimentation, where he can give capacity to his artistic restlessness, far away from bits, clicks, databases and scripts.
A whole set of 11 Forbidden Brain by Emilio Garcia.
Colors: CARMINE, EMERALD, ORANGE, PINK, PURPLE,ROYAL BLUE, SMURF BLUE, SUNSET RED, TURQUOISE, YELLOW GREEN, YELLOW.
A mix of apple and brains that made of fine resins, acrylic and bronze by Emilio Garcia himself.
2018
Resin, acrylic, bronze
5 x 12 x 10cm / 1.96 x 3.93 x 5.90 in
✔ Limited edition, edition of 3 only
✔ Each piece is signed and numbered, COA and wood box included.
✔ Mint condition
FREE SHIPPING WORLDWIDE
About Emilio Garcia. He was born in Barcelona, Spain,1981. Since 1999 he specialized in motion graphics and multimedia contents with well-known companies like Berlitz Kids, Hitachi, Diesel, Inditex, Metro, Vans or The North Face. As Emilio concerned with the digitalization of our society, saw his culture moving slowly away from the tangible, he left his and embraced the tactile. Drawn to the fascination of plastic, he started a new stage with the Secret Lapo Laboratories, a space for plastic experimentation, where he can give capacity to his artistic restlessness, far away from bits, clicks, databases and scripts.
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